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(03/06/2006) nearly ten years after the event, i have the recording of my umbc senior recital to share! many thanks to bob rivkin, one of the few to still have a dat player, for digitizing the tape. it's great to have this reminder of my friendship with bill, greg, and dave.
| composer | title | length size |
comments |
|---|---|---|---|
| alonso mudarra | romanesca (transcribed by andres segovia) | 03:03 3mb |
some renaissance music to settle everyone's ears.
this was a late (the last, i think) addition to the solo program; i'm surprised and happy with how well it came off. |
| manuel de falla | homenaje, le tombeau de debussy | 03:22 3mb |
this is one of the greatest little gems for solo guitar, and one of the
rare contributions to the repertoire from a prominent early 20th century
composer.
i'm pretty happy with my interpretation and performance here! |
| francisco tárrega | recuerdos de la alhambra | 07:13 7mb |
i'm afraid i never got my tremolo up to speed (the professional recordings i have of this run from 3:58 to 5:12). take the extra time to kick back, smoke 'em if you got 'em. |
| heitor villa-lobos | etude 9 | 05:44 5mb |
prior to listening, i only had vague memories of this lesser-heard villa-lobos etude. what an odd little work, running in circles with occasional outbursts. i seem to remember worrying at the time that it was monotonous for the listener, but hearing it now, i think that's rather the point, and not in a bad way. it's like a rainy day when you had a ball game planned, but in the end enjoy quietly watching the rain from the window anyway. |
| heitor villa-lobos | etude 11 | 04:57 5mb |
back on familiar ground. some nice savagery to overcome my limited chops. |
| jeff covey | babble: chatting up the crowd | 00:34 1mb |
thank you, thank you! i'll be here all week. |
| augustin barrios | julia florida | 04:53 4mb |
a lovely, schmaltzy barcarole from barrios. |
| albert harris | sonatina, 1. allegro moderato | 04:37 4mb |
bill was playing this sonatina in his concerts at the time, and it (especially the rondo) was a little tough for him, let alone me. hoorah for making it through! and even shaping it a bit. |
| albert harris | sonatina, 2. aria | 03:23 3mb |
pretty; i think i could have given it more room to breathe. |
| albert harris | sonatina, 3. rondo | 06:27 6mb |
and saving the scariest for last...
ok, now just to be absolutely clear, what happens at 0:52 is decidedly not a memory slip. it's my interpretation. i decided it would build dramatic tension to stop awkwardly there, stare into the abyss for a second, make a couple of false starts, then grab whatever chunk i could from later in the movement until i could catch up with myself again at 1:22. keep the audience on the edges of their seats! this has, of course, been one of my strong memories of the evening, and i had a morbid curiosity to hear it again. i remembered it as happening much later in the movement; i'm glad i rallied and even played with some conviction until 4:36 and following (probably what i was selectively remembering). hooray persistence, and ending with a bang like you mean it! |
| jeff covey | babble: go have some cookies | 00:15 0mb |
don't forget to come back! |
| unknown | unknown renaissance duet | 01:07 1mb |
my senior recital was combined with the guitar department ensemble
concert, so these first three selections from the second half weren't me
and my cohorts, but some of bill's younger students. i'm afraid i don't
even have their names; i should hunt for a copy of the program. if
you're out there, let me know!
they sound fine, but could use more cowbell. |
| anonymous | la rossignol | 01:31 1mb |
more brave soldiering on! :) dave r. and i played this back in 1991. |
| unknown | unknown trio | 03:22 3mb |
this is fun; wonder what it is. |
| jorge cardoso | milonga | 04:00 4mb |
back to me & friends for the rest of the show, starting with my
dueting buddy, greg freyman.
this cool milonga was a last-minute addition that bill assigned; i wish we'd been playing longer and had it down better. double dare you not to dance to that rhythm at 0:31. |
| radames gnattali | retratos, 1. pixinguinha (choro) | 06:15 6mb |
some of the assad brothers' dense, elegant repertoire. pushing ourselves past ourselves here and there, but still enjoying the charm. |
| radames gnattali | retratos, 2. ernesto nazareth (valse) | 06:56 6mb |
great to hear this again! i remembered very little of this movement,
and since the assads didn't record it, i didn't have to compare us to
them in my head as i listened. :)
i remembered this as the slow movement of the suite, but it has some places of go-greg-go! i think we're really working well together on this; it's one track i'm looking forward to listening to again. |
| radames gnattali | retratos, 3. anacleto de medeiros (schottisch) | 04:47 4mb |
sexy stuff -- we just need roses in our teeth to make it complete. we've loosened up and are having a good time on stage by now; it's fun listening. |
| johann sebastian bach | sheep may safely graze | 06:48 6mb |
beautiful stuff. that bach wrote some pretty good music. |
| jeff covey | journey to ixtalpa | 05:59 5mb |
this had no name for most of its life, and the weekly-growing copies of
the score often had "a duet as yet unnamed, i'd bet" at the top. i
finally replaced that with "incandescent incantation", and bill changed
it to "journey to ixtalpa" after some el dorado story he'd heard.
much gratitude goes to greg for his indulgence; i don't know if he's ever forgiven me for making him count through all the meter changes, and his sense of time may be forever skewed. one of the miracles of the evening is that we came out of the 2:48-3:01 section together, something we had literally never done in any rehearsal of the full piece. it's amazing that the one time we got it was at the big show. how great to have it on tape structurally intact, with nothing out of place but the usual finger flubs. thanks, greg! |
| michael kuntz | passacaglia | 06:03 6mb |
dave murphy had played trios with us for a couple of years, but had
dropped off the scene for some time before this. thanks to him for
coming back to round out the night!
this is just ok for me; i'm not crazy about passacaglias generally, even by brahms. there was a prelude and fugue we used to play which i rather wish we'd recorded instead. nice mass page turns at 2:07 and 4:05; sounds like we're throwing newspapers off the delivery truck. :) |
| jeff covey, dave murphy | babble and tune | 01:36 1mb |
thanks, bill! ready, dave? |
| maurice ravel | sonatine for piano, second movement (arranged by jeff covey) | 03:32 3mb |
i think this arrangement sounds pretty strong; it plays well on guitars. the weak spot is the harmonics passage at 1:35. even if i'd played it better, it still may not have worked so well. maybe i should have found another solution. i still love the charming way the melody changes on the repeat at 2:15, it's a great little passing moment. |
| george gershwin | prelude for piano #2 (arranged by jeff covey) | 03:39 3mb |
some good bluesy atmosphere here. i love how greg and dave go überjazz at 0:46. from natchez to mobile! the banjo-like pizzicato background at 1:51 works well. |
| george gershwin | rialto ripples rag (arranged by jeff covey) | 04:08 4mb |
this one works quite well, too, and this gives me a chance to bust a
prevalent myth:
dave definitely does not become completely lost and drop out from 1:17 to 1:52. not a bit of it. that's right out. stop these vicious rumors. but we get it together and pull through to a strong finish, so there! thanks again to everyone who took part, and thanks for listening! |
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